Final chapter

The Voices of DC ATRC

A three-minute film · 3:00

In production

The tribute ends where the people are: in the city, in the room, in the work. This chapter holds the film's treatment — the shots, the words on screen and the narration — alongside the place the finished cut will run.

Screening roomThe finished three-minute cut runs here. Until it is graded and cleared, this frame holds the film's poster.

Storyboard · three minutes

What the film is built from.

0:00 – 0:12

Washington

Visual

Early-morning Washington. Neighborhood streets. A Metro train arriving. People walking. Treatment-center exterior details. The DC skyline — but not a monuments-only montage.

On screen

WASHINGTON, DC — then: Recovery happens here.

Audio

Natural city sound under restrained music.

0:12 – 0:30

The Need for Connection

Visual

Different environments dissolve into one another: healthcare, counseling, community organizations, recovery-support settings.

Audio

Music holds; sound design carries the dissolves.

Narration

“Recovery rarely depends on one person, one provider or one service. It is strengthened when people, organizations and communities connect.”

0:30 – 0:48

The Coalition

Visual

Coalition mark emerges. Board-room details. Hands arriving. Folders opening. People greeting each other.

On screen

DC ADDICTION TREATMENT AND RECOVERY COALITION

Audio

Music lifts; room tone and greetings.

Narration

“Across Washington, providers and community partners are working toward a more connected behavioral health and recovery system.”

0:48 – 1:30

The People

Visual

Music builds slightly. Portraits appear individually, roughly three to four seconds each: Ashburn, Dr. Gloria E. Cain, Parks, Larry D. Gourdine, Crissman, Jennifer Loken, Jennifer Moore, Anne DeGirolamo, Henry P. Pierce III.

On screen

Name, role and organization, one portrait at a time.

Audio

Music builds. Natural sound recedes.

1:30 – 3:00

Sections in development

Draft · awaiting final beat sheet

The remaining ninety seconds — the return to the city, the coalition's focus areas and the closing dedication — are still in outline. This chapter will publish those beats as they are drafted, alongside the finished cut.

Narration in this treatment is original tribute writing, not attributed to DC ATRC. Portraits are published by the coalition's Board of Directors directory; one seat has no verified photograph and is held open.